Fans of Have A Nice Life exhibit both cultic thought and action for good reason-it is perhaps a fanbase as dark and mysterious as the Antiochean’s, which the album itself revolves around.
It feels more fresh and engaging with every listen and has held up as a remarkable piece of art. The corresponding album is rhythmic, primal and expansive, and is a gloomy-post-punk masterpiece-a mediation on death, loss and existence. That being said, it's not really applicable when someone's going on a trip that will last more than a day. Between its autobiographical bent and rap-rock instrumentals, the album declares the rapper’s survival while paying homage to. If you read the answers to the question you linked, I think you'll see essentially unanimous agreement that there's nothing wrong with 'Have a nice day'. Blurring the lines between novella, liner notes, and academic text, the zine itself presents an engrossing narrative. Have a Nice Life is as much about Los Angeles as it is about Murs. The 75-page booklet accompanying the deluxe format of Deathconsciousness details the dark and forgotten history of the Antiochean cult. Now, longtime HANL collaborator The Flenser will reissue Deathconsciousness on the long-requested CD format, with a deluxe packaging option, including the lengthy accompanying zine and housed in a heavy box. Seamlessly blending shoegaze, post punk, new wave, industrial and noise with unparalleled depth and weight, the album was originally released by Enemies List Home Recordings founded by HANL members Dan Barrett and Tim Macuga.
Six years after its release the band followed up with 2014’s stunner The Unnatural World, and by then Deathconsciousness had become a force of influence and fanatic obsession. In 2008, Have A Nice Life released their now cult classic Deathconsciousness album to a whimper and critical non-interest.
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